2735 steps so far
today – not too bad. Only one circuit of the garden, but a certain amount of
pottering around in the kitchen. And I’ve reached round 47 (of 50) of the
borders of Gudrun’s hap. If I can do a bit more this evening, I might be able
to finish the borders tomorrow. I’ve been doing better at post-blog
evening knitting since embarking on my Dry January.
A propos of which:
(a) the man who delivered my Tesco order
today expressed polite surprise that it contained no cider. (Oh, dear!) And (b)
my sister and her husband are doing Dry January too, but have promised themselves
a glass of champagne late on Wednesday afternoon, if all has gone well. Seems
reasonable. We’re going to meet by Zoom tomorrow.
Scottish doctors
have complained collectively about patchy and unreliable supplies of vaccine.
They can’t assign appointments and send out letters if they don’t know whether
they’ll have the stuff.
Reading
Despite the
activities chronicled above, I spent much of today huddled over my iPad, and
have finished the re-read of “Barchester Towers”. I enjoyed the passage you
mention, Shandy, where ivy reappears – not so much ivy, indeed, as plants that
rely on each other. Tropeolum speciosum climbing through rhododendrons,
for instance, although Trollope doesn’t mention that one.
I’m not going to
be able to say anything about Madeline Stanhope, I’m afraid, because I simply
don’t believe in her. Off hand, I don’t think there’s another character
anywhere in Trollope of whom that’s true. We never see her off-stage, talking
to her family. I wouldn’t want to have missed her appearance at Mrs Proudie’s
reception, early on. But even that doesn’t really help.
So I’m about to
embark on Candia McWilliam’s “What to Look For in Winter”, as mentioned a
couple of days ago. Sure enough, there it was in my Kindle archive.
Once Trollope has decided on Madeline as a basilisk, all the men, including Arabin seem powerless to resist her. We never see her with her child until the very end and then we get a passage of old fashioned racism directed at the eight year old. However, Eleanor is constantly cooing over her infant, so it must be a deliberate ploy to make Madeline seem less than human - a basilisk in fact.
ReplyDeleteAll right, after all the back and forth about Trollope and his characters, I will embark upon rereading The Way We Live Now..
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