Onwards! I’ve reached row 83 of the border pattern of Mrs Hunter’s shawl – even if I add a break-pattern round, I should be able to embark on the centre before the month is out. I feel that I’ll whip along, once there, only 141 stitches to the row instead of 500+ (it was 700+ at the beginning). On the other hand, there are 282 rows to do, instead of only 86. We shall see.
Judith, that’s an excellent idea, to send Baa Ram Ewe an email about the shorter Ancasta, before the day. I’ll hold off for the moment. I’ve still got a month to think about possible extravagances and zero in on a couple. I’m happy to report that there’s a thread in the EYF Ravelry group in which folk are showing off their 2016 EYF stash. I could join in on that one. At least I’ve knit some of it.
There’s an interesting paragraph in VK about a project at the Shetland Museum looking at lace patterns described as “Shetland” in the 19th century and suggesting that genuine handmade knitted lace from Shetland inspired machine-made “Shetland lace” from Nottingham. Which wouldn’t be entirely surprising. One thinks of that quite cheap, machine-made shawl in which the Cambridges first displayed Prince George to the world.
Here’s the link, but it adds little to the paragraph in VK except for a tantalizing reference to a recent PhD thesis by one of the prime movers of the project: “The History of the Fine Lace Knitting Industry in Nineteenth and Early Twentieth Century Shetland”. I looked it up, and most of it is unavailable online because of copyright. The abstract – which is available – suggests that it might be too sociological and women’s-history for my taste, but I’d still very much like to see it as long as I didn’t have to move from my desk.
What I’d like to know is – why Unst? Obviously, there’s no answer – but are there lingering memories there of why that island, the most northerly part of the British Isles (not counting Muckle Flugga), became the epicentre of fine lace knitting? And my other question is, how did they manage in the winter? Lace knitting would have been virtually impossible from November through February before electricity, Fair Isle not much easier. How was it done?
Maybe I could ask Hazel Tindall!
Greek Helen called in this evening. She says she has two mosaic commissions on the bubble: they have survived the initial-approach stage, to which she replies with ideas and a quote. Mosaic-making, like knitting, makes heavy demands on Man’s Time, and interested clients have been known to fall away when they hear how much it is going to cost. She thinks maybe an Edinburgh address inspires more confidence than her previous Athenian one. Could be.