Archie is
in Athens .
Helen phoned from there last night to say he was in rare form, enthusiastic
about going to Merchiston – why not name it? – in a way she hasn’t seen him
enthusiastic about anything for a long time. This is wonderful news.
Today’s
event will be delivering my husband to the National Gallery for lunch with the
Director and a curator friend. He will hand over that picture we bought some
months ago, an adolescent work, a portrait of his brother, by ????? ??????. The
idea being that the Gallery might be interested to have it as a document, since
the artist in question was one of Scotland ’s greatest, in his
maturity.
The
Acquisitions Committee has to OK acceptance. Today's handover is to
let the Director see it before the committee meets.
So last
night we packaged it up. My husband is fussy to the last degree about the
physical welfare of works of art. It is now ready for a rough sea crossing. And
today I must figure out how to drive from Drummond Place to the National Gallery. A
week ago – when Helen and I took Archie to Merchiston – one drove across Waverley Bridge , up to the top of the Mound, and
then down to the Gallery, if required.
Yesterday
there were electric signs all over Edinburgh
saying there was no access to Waverley
Bridge . The Mound is open
to busses and taxis only. Websites are not helpful, at least with my limited understanding. The simple answer would be to send him off by taxi,
if he’d let me.
We have had
the picture on a table in our bedroom all these weeks. It grows on one. We’ll
miss it.
Knitting
Picture-wrapping
consumed the evening, and little was achieved knitting-wise. The two halves of
the front of the v-neck vest are getting farther apart as I progress (as they
should) and last night the feared disaster struck – I finished a row on one
side, and found that the yarn on the other was not where I expected to find it,
but at the far end.
I panicked,
I think. Quiet, calm deliberation was needed at that point, but what followed
was a little frenzy of frogging and re-inserting the needle from the wrong
direction. I think I’m back on track. It is easy to see the decreases, they are even, and I
have the same number of stitches on each side. Must be all right.
Thank you
for the reinforcement about the three-for-four ratio for the nexk ribbing
(three stitches picked up for every four rows). I didn’t consult the
Zimmermanns on this point, not entirely trusting EZ. I’m glad to learn that
that’s the way Meg does it.
The reason
I didn’t entirely trust her was that when I first knit the Seamless Hybrid
Sweater from KWT – I regard it as unspeakably beautiful – I followed
instructions as written, and the saddle shoulder puffed up in a most
unattractive way. EZ says to join shoulder to body at the end of every row. It
doesn’t work. You’ve got to allow for the difference between row gauge and stitch
gauge in st st.
You are not the only one to find the saddle shoulder of the hybrid sweater doesn't work out quite right - it misbehaved for me, but I can't, at this moment, remember how I dealt with it.
ReplyDeleteForgot to say - I had trouble with the grafting of the shoulder as well - EZ says to fudge the extra stitch - my fudge remains resolutely lumpy.
ReplyDeleteAh, right - two more people who found the saddle shoulder had a problem. It is a relief to know this. I thought it was just me!
ReplyDelete