Shandy, yes (comment yesterday), we got through Orley
Farm, and I have to agree that it’s not his brightest. Have you read “The Three
Clerks”? It was recommended in a New Yorker article on Trollope, and is very
interesting indeed.
It has been a grand day for knitting. I am whizzing along
with the second Kirigami sleeve, and have wound another skein. I’ve got plenty
of yarn – should I be regretting that I’m not knitting the next size up? There
are lots of slender candidates in the succeeding two generations, if worse
comes to worst.
And Andrew and Andrea arrived on schedule. A most
interesting episode – I say that every fortnight. I was especially interested
in the “Shepherdess” segment, not only because she is not all that far away
from Drummond Place, but also because she is producing knitting yarn from
Scottish Blackface sheep.
That’s what we’re surrounded with in Strathardle. I
had long believed that their wool was virtually worthless nowadays (they’re
reared for meat). It was once used for carpet backing, but carpets are now
backed with acrylic and anyway are mostly woven in the Netherlands. I thought
that sheering Blackface (necessary for their comfort) often cost more than the farmer could get for the wool.
And so today’s shepherdess was told, when she started
out. But she persevered, and has produced what sounds like a very interesting
line. Lifelongyarns.com. Most are
blends, but she also offers pure Blackface. My first thought was that this
might be the yarn for KD’s Stronochlachar. It turns out, on examination, that
they are out of several lines, and low on others. But I’ll certainly look back
there when I’m ready for Stronochlachar. If Andrea can convert a Jade Starmore
into a pullover for Andrew, I ought to be able to switch yarns.
And the big interview is Norah Gaughan – with the plus
that you get you find out how to pronounce her name. She is delightful, and
extremely interesting. All I want to do, at the moment, is to go on round and
round in madtosh DK forever – but a future involving cables and travelling
stitches holds much appeal.
I thought that interview with Norah Gaughan was one of the best I've seen on "Fruity Knitting." I've long admired her work, but watching her demonstrate how she works up a new cable was fascinating. also, she revealed that it is the house style of Brooklyn Tweed to produce those very long, detailed patterns. I'm just knitting the second sleeve of Geiger, a Gaughan design.
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